If you find your basic patches are lacking a little movement or variation, this is a great tool for getting things moving. One of the biggest aces of the Minilogue is its 'motion' sequencing. For phaser-like effects, increase the filter resonance and assign the LFO to the oscillator shape. Chorus and phaserįor chorus-type effects, use Cross Mod. For a sound that slowly passes through the harmonics when a key is pressed, increase the Attack time and if you want the harmonics to die away quickly, decrease the Decay time. You should hear a classic harmonically evolving sync sound. Turn up both oscillators, flick the Sync switch up (away from you), select Mono mode (or Unison for a bigger mono sound), turn up the Pitch EG, and tweak the sound to taste using EG2's ADSR. Oscillator sync is one of the most powerful sonic tools in any analogue synth, and the Minilogue is no slouch in this respect with its Hard Sync option. Use the high-pass filter to dull the delay tails for a darker sound. The delay is great for tape and bucket brigade delay-style effects, but it also works as a reverb with shorter time and feedback settings. When you turn up the Pitch EG dial, EG2's portamento curve is shaped by the EG INT/EG2 ADSR settings. The bipolar Pitch EG dial only affects Osc 2, generating up/down pitch effects that sound great next to Osc 1, particularly when it's static. Auto applies legato to overlapping notes only.

Set Portamento Time to 0 for regular legato or Auto for fingered portamento, and adjust the time. Press Edit, select Program Edit and hit Mono once. The Minilogue's portamento settings are in the Program Edit page. Flip between modes while the sequencer is playing to add variation. You can record the arpeggiator output as a series of sequencer steps! Engage the arp, set step resolution to 1/2, hit record on the sequencer and play a chord.

Korg wave mod